{"product_id":"plop-polish-design-revue-2","title":"PLOP - Polish design revue #2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIs Polish design polished—or is polish the design? \u003c\/span\u003e\u003cem\u003ePLOP—Polish Design Revue\u003c\/em\u003e\u003cspan\u003eexplores the tension between Polish identity, global aesthetics, and the endless act of polishing. Through sharp questions and critical perspectives, this quarterly revue investigates what happens when Polish design becomes polished, overpolished, depolished—or something entirely new.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ehe second issue of \u003cem\u003ePLOP—Polish Design Revue\u003c\/em\u003e takes on one of the biggest legends of Polish graphic design: the poster.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePLOP #02\u003c\/em\u003e does not offer another polite story about masters, the canon, and the golden age of the Polish Poster School. Instead, it asks what the poster is today and where it is going. Does it still work as a tool of communication, a form of artistic expression, a medium of protest and presence in public space? Or has it become a ritual repeated by the design scene, almost like a para-religion?\u003c\/p\u003e\n\u003cp\u003ePublished by Slanted Publishers in collaboration with Three Dots Type Foundry and the Polish Graphic Design Foundation, the second issue of \u003cem\u003ePLOP\u003c\/em\u003e looks at the poster between street and gallery, protest and decoration, paper and screen, legend and real life.\u003c\/p\u003e\n\u003cp\u003eThe issue features a conversation with Ola Jasionowska about the poster as civic practice, an essay by Katarzyna Matul on the poster as an export product, identity, and the legacy of communist-era Poland, a conversation with Karolina Pietrzyk about typography, collaboration, and controlled experiment, and Paweł Starzec’s photographic record of the visual aspects of protests. \u003cem\u003ePLOP\u003c\/em\u003e also gives voice to international curators and organizers of poster events, who discuss AI, biennials, festivals, and the myths of national design schools.\u003c\/p\u003e\n\u003cp\u003eThe issue also includes illustrations by Klaudia Kozińska and the typeface Dioda, designed by Jan Estrada-Osmycki.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePLOP #02\u003c\/em\u003e is an issue about the poster and the post-poster. It asks difficult questions and gives no easy answers—but it still loves the poster.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eGermany \/ eng \/ 21×30 cm \/ 32 pages \/ 0.1 kg \u003c\/span\u003e\u003c\/p\u003e","brand":"not random magazines","offers":[{"title":"Default Title","offer_id":47979464982705,"sku":null,"price":24.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/5742\/9169\/files\/Plop.jpg?v=1790427003","url":"https:\/\/notrandommagazines.com\/products\/plop-polish-design-revue-2","provider":"not random magazines","version":"1.0","type":"link"}